LanguagePlanslanguageplans
Free pack
Practice · 9 minute read

The three-mode unit template, interpretive feeds interpersonal feeds presentational.

ACTFL has been pushing the Integrated Performance Assessment framework since 2003. Most teachers know the three modes by name. Almost nobody actually sequences a unit so the modes feed each other. Here is the template I have used for seven years.

Jon CataldiMay 16, 2026

ACTFL has been pushing the Integrated Performance Assessment framework since 2003. Most teachers know the three modes by name. Almost nobody actually sequences a unit so the modes feed each other. Here is the template I have used for seven years.

The three modes, with the wrinkle that matters

The Standards for Foreign Language Learning (the 1996 document, revised 2015 as the World-Readiness Standards) define three modes of communication. Interpretive is the receptive mode: reading, listening, viewing. Interpersonal is the negotiated mode: two-way conversation, written exchange, anything where meaning gets clarified back and forth. Presentational is the prepared mode: a speech, an essay, a video, a poster, anything one-way and rehearsed.

Most teachers can recite that paragraph. The wrinkle is what the Integrated Performance Assessment (Adair-Hauck, Glisan, and Troyan, Implementing Integrated Performance Assessment, ACTFL 2013) added on top of it. The three modes are not just a categorization scheme. They are a sequence. The interpretive task produces the language the interpersonal task negotiates. The interpersonal task produces the rehearsal the presentational task polishes.

The three communicative tasks are linked thematically and scaffolded so that students draw on the language and content encountered in the first task to perform the next.

Adair-Hauck, Glisan, and Troyan, Implementing Integrated Performance Assessment

Why most three-mode units fail

Walk into a Spanish 3 classroom that claims to use the IPA framework. You will often see three activities that touch each mode but do not feed each other. Monday: a reading on Mexican food. Wednesday: a partner conversation about favorite restaurants. Friday: a written paragraph describing a family meal. Three modes, one theme, no transfer. The interpretive piece used vocabulary the students never carry into the interpersonal piece. The interpersonal piece used chunks they will never get to use in the presentational piece. Each one is its own little island.

The unit feels productive because every mode got time. The students still cannot hold a real conversation about food because the vocabulary they read never reached their mouth.

The template

I run every unit on a five-step rhythm. Two weeks. Three modes. One assessable arc.

Step 1: Anchor text (interpretive)

Pick one piece of authentic input that is rich enough to live on for two weeks. A short article. A podcast episode of six to ten minutes. A music video with a story. A vlog post. The text has to use the target structures and vocabulary you want the unit to teach, in real proportions.

Spend three to four class periods inside the text. Pre-read. Read. Listen. Watch. Annotate. Comprehension questions in Spanish. Inference questions. Word study. Push students to notice the structures you are targeting, but do not stop the meaning-making to drill them.

Step 2: Negotiated extension (interpersonal)

Build two or three structured speaking tasks that require the students to use the language of the anchor text. Not parallel topics. Tasks that reuse the same phrases, the same constructions, the same vocabulary.

For a unit on a podcast about street food in Mexico City, I would set up an information-gap activity where one partner describes the dish from the podcast and the other has to sketch it. Then a debate where partners defend whether their own city should adopt the same street-food culture. Then a role play where one student is the podcast host interviewing the other about their favorite food. Each task forces them back into the language of the anchor text.

Step 3: Pop-up form focus

Halfway through the unit, after the students have wrestled with the language but before the presentational task, run a short form-focus mini-lesson on whatever grammar got in their way. Ninety seconds to ten minutes, max. Use examples from the anchor text. Then a quick structured input or output practice. Then back to the unit.

This is where the spacing and retrieval research lives. Hit the form when the students need it, not before, and revisit it three more times across the rest of the unit.

Step 4: Polished presentational

The last task is a one-way production. A video. A short essay. A presentation. A recorded interview where the student plays both roles. The prompt must require the language of the anchor text. If a student can complete the presentational task with vocabulary that never appeared in the anchor, the task is wrong.

Use a single rubric. ACTFL's performance descriptors are a fine starting point. The Standards-Based Measurement of Proficiency (NCSSFL-ACTFL Can-Do Statements, 2017) give you rubric language that is teacher-readable without dumbing down the descriptors.

Step 5: Reflection that closes the loop

After the presentational task, give students fifteen minutes to look back at the anchor text. Where did they end up sounding like the source? Where did they fall back on safe, simpler patterns? Where does the next unit need to push? The reflection is short. It compounds across a year.

What this template fixes

Two things, mainly.

First, the vocabulary problem. When the interpretive, interpersonal, and presentational tasks all draw from the same anchor text, the vocabulary gets retrieved four or five times in four or five different ways over two weeks. That is spacing and retrieval in the same package. Cepeda would approve. Karpicke would approve.

Second, the transfer problem. The complaint that students cannot use what they learned outside the unit is usually a transfer failure, not an acquisition failure. They acquired it for the worksheet and never had to move it to a different context. The three-mode template forces them to move the language across three modes within the same unit. The transfer is built into the design.

What about my textbook unit?

If you are stuck with a textbook chapter as your unit skeleton, you can still run this template. The textbook chapter is not the anchor text. The textbook chapter is the scope and sequence for the form-focus pop-ups. Pick an authentic anchor text that uses the chapter's target forms in real proportions, and let the textbook be your reference, not your spine.

Glisan and Donato's 2017 book on high-leverage teaching practices is the best argument I have read for ditching the textbook-as-spine model. They are not radical about it. They are evidence-driven. Read chapter two if your department is still on the fence.

What this means for your Monday

Pick the next unit you have to teach. Find one authentic text in Spanish that is roughly aligned with the unit theme and target structures. Block out the two weeks on the five steps above. Build the three tasks so they all reuse the anchor text's language.

Do not redesign your whole year. One unit. See what happens to the vocabulary retention at the end. If it looks better than your usual unit, do the next one this way too. Inside of a semester, you will have a course built on transfer instead of coverage.

Further reading
  • Adair-Hauck, B., Glisan, E. W., and Troyan, F. J. (2013). Implementing Integrated Performance Assessment. ACTFL.
    The book that operationalized the three-mode framework. Read this if you are serious about IPA design.
  • Glisan, E. W. and Donato, R. (2017). Enacting the Work of Language Instruction: High-Leverage Teaching Practices. ACTFL.
    Companion volume. Chapters two and three on backward design and authentic resources are the most useful.
  • National Standards Collaborative Board. (2015). World-Readiness Standards for Learning Languages (4th ed.). ACTFL.
    The current Standards. Skim it if you have not in five years.
  • NCSSFL-ACTFL. (2017). Can-Do Statements: Performance Indicators for Language Learners. ACTFL.
    The can-do framework. Rubric language without the doctoral-thesis register.
  • Sandrock, P. (2010). The Keys to Assessing Language Performance. ACTFL.
    Older but still the cleanest explanation of how the modes assess differently.
About the author
Jon Cataldi
Jon Cataldi
High school Spanish teacher

Jon has taught Spanish at the high school level in the northeastern United States for twenty years. He started LanguagePlans because he could not find resources that took the research seriously without sounding like a doctoral thesis. He works mostly with non-heritage learners in mixed-proficiency classrooms and writes about the daily classroom moves that connect the SLA literature to what actually happens on a Tuesday morning.